| Rating |
Summary |
|
| n/a by Pitchfork Media |
Plays like a big, half-drunken romp through golden-era rock 'n' roll-- airy and thrilling and shifty as hell. |
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| n/a by www.splendidezine.com |
It pulls from a grab bag of influences, from Bob Dylan to Broadway, The Who to honky-tonk, and tosses them around with apparent abandon. In spite of this (or maybe because of it), The FFs spin all of this into a sound that's consistent, yet almost magically unique. |
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| n/a by www.dotmusic.com |
A unique musical vision with a genuinely unique and beautifully skewed worldview to boot. |
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| n/a by www.drownedinsound.com |
The duo manage to create the same raw fervoured energy of Jack 'n Meg, but also utilise a far more diverse array of sound and instruments. |
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| n/a by www.noripcord.com |
It’s an album full of aggressive piano, golden rock and roll and warbled, disturbed lyrics. |
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| n/a by www.stylusmagazine.com |
The Furnaces’ brand of sonic mayhem may not be for everyone, but there are rewards for those who dare take the plunge. |
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| n/a by www.guardian.co.uk |
A spiky hybrid of stuff grabbed from various decades. |
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| n/a by Popmatters |
Every song is a piano recital, a punk rock concert, a tone poem, an art project, a dizzying expanse of white noise, a beautiful mess. But over Gallowbird's Bark, you begin to wonder the appeal of it all. |
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