| Rating |
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| 4 by Rolling Stone |
On Sleater-Kinney's previous album, the post-9/11 One Beat, political tracks such as "Combat Rock" mirrored fans' rage at the exploitation of a national tragedy. Three years later, after John Kerry's ... |
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| n/a by www.villagevoice.com |
Pick Hits
SLEATER-KINNEY
The Woods
(Sub Pop)
Corin Tucker's abrasive warble is made for a Zeppelin move that seems inevitable now that it's here, and when the lyrics fail to mesh, or veer ... |
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| n/a by www.adequacy.net |
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| n/a by www.cokemachineglow.com |
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| n/a by www.shakingthrough.net |
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| n/a by Junkmedia |
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| n/a by www.theonionavclub.com |
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| n/a by Pitchfork Media |
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| n/a by www.dustedmagazine.com |
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| n/a by Popmatters |
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| n/a by www.prefixmag.com |
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| n/a by www.tinymixtapes.com |
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| n/a by www.drownedinsound.com |
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| n/a by www.austinchronicle.com |
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| n/a by www.lostatsea.net |
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| n/a by www.guardian.co.uk |
Ominous nursery rhyme The Fox becomes a fuming morality tale, Brownstein's warnings complemented by a whirlpool of noise. The metaphor-heavy Rollercoaster - love as food, relationships as a vomit-... |
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| n/a by www.amazon.com |
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| n/a by www.pastemagazine.com |
The Woods is more aggressive than anything Sleater-Kinney has previously released, but the musical recipe that works so well for Janet Weiss, Corin Tucker and Carrie Brownstein—Hendrix-style guitar so... |
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| n/a by www.drawerb.com |
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| n/a by www.eonline.com |
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| n/a by www.noripcord.com |
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| n/a by www.stylusmagazine.com |
ands start with musical intent and a discovery of self. In trying to avoid definition, an easy mistake that bands who reach the enviable point of reliable quality make is to actively try to avoid bein... |
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| n/a by www.splendidmagazine.com |
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