| Rating |
Summary |
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| 5 by NME |
RJ attempts to move out of the ShadowPop demands a fine balance between pushing boundaries and playing to your strengths, and one-time alt.hip-hop wunderkind RJD2 has stretched too far on his third al... |
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| 2.5 by Rolling Stone |
RJD2's third LP finds the producer-singer-songwriter easing up on the
sprawling multigenre attack of '04's excellent Since We Last Spoke for
lighter laptop-pop -- it grooves well even as it tosses in ... |
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| n/a by www.filter-mag.com |
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| n/a by www.noripcord.com |
The Third Hand completes something of a triumvirate for me. A triptych, if you will, of avant-soul releases that have winged their way just under the radar of popular acceptance with their wilful use ... |
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| n/a by www.sputnikmusic.com |
Throughout the last decade or so, we’ve had various hip-hop artists blur the boundaries between alternative and hip-hop, sometimes finding more fans in the alternative/rock scene than in the hip-hop s... |
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| n/a by www.avclub.com |
Since releasing his Def Jux debut Deadringer in 2002, Ohio turntablist RJD2 has become an acclaimed, in-demand DJ, frequently compared to the genre's previous go-to guy, DJ Shadow. Like Shadow, RJ... |
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| n/a by www.prefixmag.com |
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| n/a by www.blender.com |
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| n/a by www.musicomh.com |
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| n/a by www.stylusmagazine.com |
blame Kanye West and his unprecedented success in climbing out from behind the boards to become America’s ten-times platinum darling, Time magazine cover boy and multiple Grammy Award winner. All this... |
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| n/a by www.shakingthrough.net |
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| n/a by www.tinymixtapes.com |
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| n/a by Popmatters |
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| n/a by www.drownedinsound.com |
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| n/a by BBC |
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| n/a by Pitchfork Media |
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| n/a by www.cokemachineglow.com |
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| n/a by www.boston.com |
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| n/a by www.rapreviews.com |
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