| Rating |
Summary |
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| n/a by www.uncut.co.uk |
This ill-fitting rebirth, fronted by the defiantly ungay, unIndian and uneccentric Paul Rodgers, can be seen as an attempt to ditch the Mercury-inspired absurdity and bolster Queens hard 'rawkincredentials. |
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| n/a by www.guardian.co.uk |
As with a lot of The Cosmos Rocks, you listen to Warboys boggling that Queen--famously intelligent men--didn't at any point notice that the lyrics were stupid, trite, a bit offensive and bound to have an undermining effect on whatever musical efforts they put behind it. |
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| n/a by Billboard |
It's a shame that the end result, the first under the Queen name in 13 years, is not very memorable. |
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| n/a by www.hotpress.com |
Freddie-less queen fail to recall old glories. |
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| n/a by www.blender.com |
This mismatched combo brings out the best in each other only on the refreshingly lightweight 'Call Me.' [Nov 2008, p.76] |
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| n/a by Popmatters |
Although his ghost pleasantly haunts the album in some ways (The Cosmos Rocks is actually dedicated to him), Paul Rodgers breathes new life into Queen, while still keeping the bands tremendous legacy intact as they soldier forth with new material into the 21st century. |
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