| Rating |
Summary |
|
| n/a by uk.launch.yahoo.com |
All We Could Do Was Sing does exactly what it say on the tin - an astonishing album, rich in storytelling and fables; woven with 11 brilliant songs by a band apparently driven by nothing more than the sheer love of performing. |
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| n/a by www.drownedinsound.com |
Thats not to say they dont come across like an all-singing, all-banging Life Aquatic armed with pots, pans and whatever instrument comes to hand, but from the raw, stamping folk-punk to the string layered sea ditties, All We Could Do Was Sing is much more than it initially lets on. |
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| n/a by www.hotpress.com |
And as folksiness, indieness and bittersweet mournfulness set the tone, it also becomes apparent that this is much better than the words ‘folk and ‘indie on their own suggest. |
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| n/a by Popmatters |
['Valdez' is] a wholly appropriate ending to an album by a band that makes its own experiences with distance and isolation into something that is, whether sad or celebratory, at once as changeable and as constant as the sea. |
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| n/a by Pitchfork Media |
The good news is that the band's official debut (following the 2007 collection Wind And The Swell) is still a solid art-pop album at its core, and importantly, more American Gangster than The Crane Wife. |
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| n/a by www.musicomh.com |
There's a distance to their music, as if they're floating away on the horizon, just out of reach. It's worth savouring them that way. |
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| n/a by NME |
Merging aquatic Americana that casts its net over the gang mentality of Arcade Fire, The Polyphonic Spree and Broken Social Scene – and that most über-overexposed of F-words, folk – its clear why Johnny Marr is touting the Californian throng as his new favourite band. |
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| n/a by www.guardian.co.uk |
They like wonky jangle that recalls Pavement, mumbling melancholy, and the odd rowdy singalong and flourish of violin. Then something happens: their songs start to snag, and their sharp, simple lyrics do justice to sentiment. |
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