| Rating |
Summary |
|
| 6.8 by Pitchfork Media |
With Maria Taylor's 11:11 serving as de facto Azure Ray, anything Orenda Fink churns out could only be bonus, right? Considering the consistency of the group's canon, it seems at worst you're getting ... |
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| 6.8 by Pitchfork Media |
With Maria Taylor's 11:11 serving as de facto Azure Ray, anything Orenda Fink churns out could only be bonus, right? Considering the consistency of the group's canon, it seems at worst you're getting ... |
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| n/a by www.prefixmag.com |
Invisible Ones stands steadily as an encouraging signpost in Fink's career. |
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| n/a by www.adequacy.net |
There are few efforts as noble as Fink’s attempt to express the realities of human suffering. It’s unfortunate that Invisible Ones can’t consistently relate these messages musically. |
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| n/a by www.musicomh.com |
Fink stays close to the sonic templates of both Now It's Overhead and Azure Ray, but has less impact than either. |
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