| Rating |
Summary |
|
| n/a by www.stylusmagazine.com |
Oh No is, if anything, even better than their debut, which now feels like it was trying a bit too hard. Everything feels more natural this time, slightly less polished but still as forceful and hooky. |
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| n/a by www.eonline.com |
Songs like "Invincible" and "Do What You Want" don't disappoint and should be on the playlist for any retro dance party. |
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| n/a by www.musicomh.com |
In short, this is another very good album. |
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| n/a by www.slantmagazine.com |
While there's nothing at all revolutionary in the band's combination of nihilistic lyrics and sunny pop hooks or in their use of dance rhythms behind their guitar power chords, it's nonetheless rare to encounter a major label pop or rock album as start-to-finish good as is Oh No. |
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| n/a by Popmatters |
Oh No is by no means a perfect album, but... the songs are more mature, the songwriting has improved and the album is enjoyable without digging too deep for artistic statements. |
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| n/a by www.almostcool.org |
In terms of overall sound and cohesion, it's a step up from the debut by the group, but it's almost clinical in precision and slightly numbing with riff after riff blasting away with the same sort of glossy production. |
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| n/a by Pitchfork Media |
Mimicry is one thing, but at least choose wisely. You see, OK Go decide to impersonate post-Pinkerton, post-catchy, fun-by-numbers Weezer, resulting in an Ivy Leaguer Sugar Ray sound. |
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