| Rating |
Summary |
|
| 8.7 by Pitchfork Media |
The breakup album is a familiar pop music trope-- countless artists have harnessed the emotional fallout of a relationship to fuel their songwriting efforts. The less imaginative practitioners wind up... |
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| n/a by 75 or less |
You almost feel bad for enjoying it when you notice this hook-filled infectious indie-disco that's been charging your senses—those first six sublime tracks—is the pretense of a man barely ... |
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| 3 by Rolling Stone |
For a decade, Of Montreal have been one of the most prolific bands on the Athens, Georgia, indie scene. Their eighth LP is a wonky thing that ranges from Kinks-y rock to New Wave to disco, with dashes... |
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| n/a by Popmatters |
This is a cohesive, serious album. It is distressing, depressed, isolated, alienating, and probably the best Of Montreal album to date. |
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| n/a by BBC |
Much of Hissing Fauna… dances in the face of its depressing subject matter. |
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| n/a by www.tinymixtapes.com |
What makes these songs so positively delicious, in the same way that going on a bender can be a welcome alternative to crying into a pillow, is that Barnes realizes how seductive misery can be. |
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| n/a by www.lostatsea.net |
If Of Montreal were previously a bit on the superficial side with their beatific pop, Hissing Fauna adds a welcome additional ingredient: a sense of gravity. |
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| n/a by www.stylusmagazine.com |
Hissing Fauna is severely front-loaded, not necessarily because the closing songs are duds, but more because the album’s first half is nearly flawless. |
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| n/a by www.cokemachineglow.com |
Hissing Fauna might be Barnes’ finest work yet, an opus built entirely of sugar. |
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| n/a by www.filter-mag.com |
If last year's sublime Sunlandic Twins was Kevin Barnes' ode to "Oslo in the Summertime," Hissing Fauna recalls his Winter of Discontent. |
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| n/a by www.adequacy.net |
The album sounds amazing. |
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| n/a by www.playlouder.com |
The effect of the new bleak mood lurking beneath the glimmering pop is to pare away the occasional over-cutesiness that has marred Of Montreal's work in the past and enhance the freaky psychedelic sublime of Barne's best moments. |
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| n/a by www.noripcord.com |
The lack of engaging realism has always been one of the major problems for Of Montreal and the new material goes a long way towards solving it. |
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| n/a by www.pastemagazine.com |
Hissing Fauna, Are You the Destroyer? is probably the most fun one can reasonably have while wrestling with somebody else’s demons. |
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| n/a by www.drownedinsound.com |
If there is one thing in this world that can elevate even the weakest of lyrics from the trough of personal diary hell, it’s a catchy melody. Thankfully this record overflows with them. |
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| n/a by www.prefixmag.com |
Barnes's most personal and emotional album to date. |
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| n/a by www.avclub.com |
It's all darkly beautiful, because Barnes continues to emote more through the music than through his words. |
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| n/a by thephoenix.com |
For the most part an exercise in Prince-like electro-funk, full of squelchy keyboard fuzz and chicken-scratch guitar noise and absurdly complicated falsetto harmonies. |
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| n/a by www.slantmagazine.com |
An album of relatively accessible pop music that pulses with the pain of a life in pieces. |
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| n/a by www.ctnow.com |
It's by far his most personal album, but "Hissing Fauna, Are You the Destroyer?" keeps the self-absorption to a minimum, in favor of vivid descriptions and up-tempo music that's catchy and engaging regardless of whether you're invested in the difficult back story. |
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| n/a by www.villagevoice.com |
Fauna's first half is cosmic pop turmoil of the highest degree, as only a master songwriter could create. |
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| n/a by www.nytimes.com |
Manic pop and depressive revelations have rarely been so closely bonded. [22 Jan 2007] |
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| n/a by www.dustedmagazine.com |
Although non-fans will likely continue to dismiss the band as over-the-top pop marauders, Hissing Fauna proves that there’s plenty of depth to their delirium. |
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| n/a by NME |
This Athens, Georgia collective have blossomed from winsome indie-pop virgins to frocked-up future pop stars, beaming their febrile college rock through a kaleidoscope of sleazy funk, electronica jitters, and 'Fear Of Music'-style Talking Heads ethno-beat. |
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| n/a by arts.guardian.co.uk |
The second half is dominated by a seedy funk that feels at once self-indulgent and unappetising, despite the odd dazzling moment. |
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| 8 by Aftonbladet |
Det var ingen överraskning att The Shins “Wincing the Night Away” skulle vara ursmart och välljudande. Inte heller att Clap Your Hands Say Yeahs “Some Loud Thunder” skulle ha e... |
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| 8 by Dagensskiva.com |
Det var ingen överraskning att The Shins “Wincing the Night Away” skulle vara ursmart och välljudande. Inte heller att Clap Your Hands Say Yeahs “Some Loud Thunder” skulle ha e... |
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