| Rating |
Summary |
|
| n/a by www.avclub.com |
Oakley Hall's almost indescribably transcendent quality burns through in songs like 'All The Way Down,' which rides amplified waves of fiery guitar and tuneful wailing, while evoking the reassuring fellowship of church camp. |
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| n/a by www.dustedmagazine.com |
The slight psychedelic divergences and other assorted flourishes keep the album interesting, but they’re not enough in the forefront to make Oakley Hall come off like some permutation of psych-rock. |
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| n/a by www.nowtoronto.com |
The range is fantastic but never jarring. |
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| n/a by www.pastemagazine.com |
Though Oakley Hall's songs aren't catchy enough to be instantly familiar, I'll Follow You possesses a sound rich enough to warrant listening until they are. |
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| n/a by Popmatters |
As skilled as they are, they also know when to just let their simple art stay focused, and it's this sort of unified variety that makes I'll Follow You a disc worth going after. |
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| n/a by www.lostatsea.net |
The band seems powerful at their best moments, but may yet be too tentative to really grab hold of their own work. |
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| n/a by www.filter-mag.com |
I’ll Follow You is a pleasant enough halfway point for a respite. |
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| n/a by Pitchfork Media |
'Rue the Blues' is easily the most euphoric thing here, with that banjo-tuned-guitar, um, pickin' up a storm, I guess, and Sullivan opening his throat when he sings. |
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| n/a by www.stylusmagazine.com |
Sullivan and Cox are attentive enough to make room for understated fiddler Claudia Mogel, who keeps the band’s country flame burning when they flail and strut. None of this, though, is enough to strip the album of a staleness and fatigue |
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