| Rating |
Summary |
|
| n/a by www.tinymixtapes.com |
With twice as much content as usual and Numbers working out their heaviest dose of lo-fi drone rock, this is their best release to date. |
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| n/a by www.prefixmag.com |
We're Animals may not be as mind-boggling as Numbers' 2004 release, In My Mind All the Time, but it merges elements of the precursors to the new wave/post-punk movements with a psychedelic ambiance. |
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| n/a by www.splendidmagazine.com |
Some listeners may find the results to be a little bland for their tastes. |
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| n/a by www.dustedmagazine.com |
On the Moog axis of pop, they’re skewing less towards Six Finger Satellite and more towards an asymmetrical version of the Rentals. |
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| n/a by Pitchfork Media |
We're Animals still has haywire guitars, bushwhacking rhythms, and those homemade synthesizers we're always hearing about, but the real story is the band's conflicted strategy for melody. |
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| n/a by www.playlouder.com |
It's a mastery of creating fantastic dirges, then manipulating them into slithering beasts backed by tight drums, precise guitar scratches, and Dunis' quavering vocals that rescues 'We're Animals'. |
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| n/a by www.lostatsea.net |
Numbers tout themselves as a dance-punk outfit, but they won’t get you on the dance floor anytime soon. |
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