| Rating |
Summary |
|
| 3 by Rolling Stone |
Atlanta's ludacris may be the only rapper who currently boasts about being both good at Scrabble and rowdier than Rowdy Roddy Piper. Oddly enough, Word of Mouf alternates between bleak, nearly joyless... |
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| n/a by www.cdnow.com |
There's still lots of the nasty, freaky humor and grimy lyrics that make Ludacris so much fun. |
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| n/a by www.ew.com |
With his fashionably foul worldview, Ludacris could indeed be [Redd] Foxx's bastard son, and ''Word'' often seems like nothing so much as an extended Dolemite routine set to hip-hop beats. |
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| n/a by NME |
There's a more commercial edge to the beats, as well as a subversive edge you'd expect from an MC who's cribbed from Eddie Murphy routines. |
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| n/a by www.eonline.com |
It's not exactly the most sophisticated rap album of the year... but with production by Swizz Beatz on "Cry Babies (Oh No)," the head-bobbing chorus for "Rollout (My Business)" and the smooth joint effort with Nate Dogg ("Area Codes"), the crass clown can be entertaining. |
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| n/a by www.playlouder.com |
It's crude, certainly, but Ludacris has enough wit and chutzpah to elevate this above the dross. |
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| n/a by Billboard |
"Word of Mouf" never quite meets the standard 'Cris set for himself with his debut. |
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