| Rating |
Summary |
|
| n/a by www.ew.com |
Chief Lambchopper Kurt Wagner's magpie tendencies are fully displayed on the band's lovely 10th proper album. |
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| n/a by Popmatters |
OH (ohio) is flat-out one of the best records Lambchop has made, and certainly their best since 2000s classic Nixon. |
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| n/a by www.lostatsea.net |
With OH (ohio), Wagner has crafted a soundtrack of specific detail for that lazy mid-morning melancholy that comes to anyone who feels like the world is turning without them. Enjoy it. |
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| n/a by uk.launch.yahoo.com |
As ever, Wagner's narratives, such as on 'National Talk Like A Pirate Day,' are impressionistic, shifting time and perspectives, like the Norman Raeburn-influenced Dylan of 'Blood On The Tracks.' |
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| n/a by www.boston.com |
His dry, enunciative singing style still achieve a remarkable combination of pretension and playfulness. Lambchop may be evolving, but its capacity for sounding like nothing else remains intact. |
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| n/a by Billboard |
While the upbeat Lambchop records of the past are missed, OH (ohio) is a well-paced and engaging trip through Wagner's lush, scenic tunes. |
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| n/a by www.uncut.co.uk |
Their tenth LP OH (ohio) lands with some nervous expectation attached. As it turns out, its their best record since 2000 landmark, Nixon. |
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| n/a by www.dustedmagazine.com |
Taken as a whole, however, OH consists of more stellar stuff from a band thats always taken the tortoises view of the race. |
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| n/a by www.blender.com |
OH (Ohio) ends with a straight-faced rendition of the hokey country standard 'I Believe in You,' with lyrical mush about dogs and babies, but Wagner sings it like he wants to believe every word. |
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| n/a by www.avclub.com |
OH (ohio) gets the sophistication and tone right, but something's slightly off. |
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| n/a by www.guardian.co.uk |
OH (Ohio), typically for the Lambchop, is at its best when it's specialising in tight-wound reserve. |
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| n/a by www.nowtoronto.com |
The Nashville bands ninth studio album is definitely sleepy and nuanced, only Wagners halted singing is disintegrating further into the background as the overall sound inches closer to adult contemporary. |
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| n/a by Pitchfork Media |
Consider OH the most Lambchop of Lambchop releases, as it swings through almost every tone in the band's history of influence-collisions, arriving at a soul of its own. |
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| n/a by www.tinymixtapes.com |
That is part of Lambchops charm--irony might be the hipster flavor for the time being, but youd be hard-pressed to find less ironic and more modestly beautiful sentiment than on OH (Ohio). |
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| n/a by www.pastemagazine.com |
Whatever: just
listen to the damn disc. |
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| n/a by www.drownedinsound.com |
Its restrained combination of new and old, tradition and innovation, sums up the strengths of OH (ohio), an album which isn't another Lambchop masterpiece, but rather a fine addition to an extraordinary body of work. |
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| n/a by www.musicomh.com |
Give Oh Ohio time--there's more than enough here to breath life back into a resurgent band. |
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