| Rating |
Summary |
|
| n/a by www.adequacy.net |
Those who enjoy his new approach will like the album, and those who long for his old days of guitar-driven power-pop will find some highlights that prove no matter how old Mould gets, he still is one of the most brilliant musicians and lyricists ever. |
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| n/a by www.splendidmagazine.com |
Body of Song is a record that plays like a book. |
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| n/a by www.theonionavclub.com |
Body Of Song finds Mould creating familiar-sounding music without simply rehashing fan favorites. |
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| n/a by www.stylusmagazine.com |
Rehashed Bob Mould still beats most of what’s out there, though, so the album has its strengths. |
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| n/a by Pitchfork Media |
For the most part, Body of Song offers the expected mix of rock tracks and balladry that one would expect from a Bob Mould solo record. |
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| n/a by www.guardian.co.uk |
Perhaps only he could sound so at peace while exploring so many identities. |
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| n/a by Billboard |
[A] return... to more familiar territory. |
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| n/a by Popmatters |
This is a good, even very good, Bob Mould album, but it doesn't measure up to masterworks like Copper Blue and Zen Arcade. |
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| n/a by www.prefixmag.com |
Even though not everything Mould tries on Body of Song works, there are enough gems to make the album a worthwhile destination. |
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| n/a by www.shakingthrough.net |
Body of Song is patchwork and spotty, dappled with a handful of sparkling additions to Mould’s estimable catalog. |
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| n/a by www.dustedmagazine.com |
[Mould's trademark] coupling of aggression and tuneful economy is one of the chief attributes sometimes compromised on Body of Song. |
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| n/a by Junkmedia |
With his merely efficient playing, Mould never reaches the highs of electric ecstasy he perfected in his heyday. |
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| n/a by www.lostatsea.net |
Body of Song truly falters in its inability to successfully blend two sensibilities. |
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